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Washington D.C. and the surrounding area is home to many
large-scale projects, including the emergency repair and
restoration of the Pentagon, called “The Phoenix
Project,” following Sept. 11 and the new Smithsonian
National Museum of the American Indian. One local
company, Jefferson Millwork & Design, has become a shop
that contractors turn to when it comes time to do the
millwork and casework.
“We have a strong reputation as the go-to guys,” says
Michael Corrigan, who along with Mark Howe serves as
vice president and operating owner. “We get ‘invited to
the dance‘ at any large project. The opportunities have
been consistent [in the current economy], and I think
part of that has to do with our reputation.”
Jefferson Millwork, which began in 1990 as an
offshoot from a construction company, was recently rated
the largest manufacturer in the Washington metro area.
The company employs 67 workers in a 32,000-square-foot
facility in Sterling, VA.
Typically the millwork is almost the last part of a
project. However, Jefferson has created an invaluable
service for its customers by getting involved with the
project earlier. In some cases, employees have laid out
entire rooms using 1/4-inch templates, taken from the
Jefferson-engineered drawings. The templates are laid
out so all the other tradesmen, from the electricians to
the drywall installers, can see how everything is
supposed to fit. Either Jefferson or the other
tradespeople can alter their work if need be, but at
least any errors are noted up front.
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Jefferson’s employees spent many early
mornings and late nights ensuring that this
security desk would be installed in the Pentagon
by the Sept. 11, 2002 deadline. Photo by Barry
Thomas of Jefferson Millwork. |
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“This way, we’re able to proceed with producing the
woodwork without delay,” says Michael Almond, project
manager. “That’s been a huge selling point for us.”
Such attention to detail can be critical on some
jobs. For example, Jefferson’s work on the Maryland
Center for the Performing Arts in College Park included
a tilting elliptical handrail, and the first two rows of
seats sat on a hydraulic lift. The lift had three
levels, explains Rob Burdette, project engineer. “The
first was for the seating audience, the second level
would be lower for an orchestra pit, and the third would
be at stage level and extend the stage out by 8 feet,”
he says. “We had to have a 1/8-inch tolerance all the
way around the radial front, so it wouldn’t pose a
problem when the stages met.”
Burdette coordinated the project with the flooring
and hydraulic lift installer, as well as two steel
companies for the construction of the rails to ensure a
smooth installation.
Burdette adds that the contractors are often happy to
have Jefferson step in as superintendents. “It takes the
responsibility away of coordinating with all the
subcontractors that are associated with the work,” he
says.
Rebuilding the Pentagon
For a company that has done such high-end,
complex millwork jobs, the Pentagon restoration job,
which comprised plastic laminate casework, solid surface
countertops, historical reproduction doors and a
bullet-resistant security desk, was a relatively simple
job. Nevertheless, it was something that Jefferson’s
employees wanted badly to do.
“I was very aggressive in pursuing that job,” says
Corrigan. “I made it very clear to the general
contractor, AMEC, that we wanted that job. I think it’s
been a boon to our employees.”
The Sept. 11, 2001, terrorist attack on the Pentagon
that killed 125 people on the ground and 59 passengers
and crewmembers on American Airlines Flight 77 badly
damaged one side of the building. Three outer rings were
completely destroyed, and a 400,000-square-foot area had
to be demolished for renovation to begin.
Once the massive restoration project was underway,
the pressure was on the workers from every trade to have
the Pentagon employees moved back into their offices by
Sept. 11, 2002. Thanks to the cooperation of all the
companies and workers involved, the 10-month project was
completed ahead of schedule and under budget. “Our
owners never said anything about overtime or material
costs,” Rocky Brown, production manager, says. “It was
just, ‘Go, go, go, get the job done.’”
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The successful installation of the
millwork in the Maryland Center of the
Performing Arts required good communication with
other workers from many trades. |
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Brown adds that the renovation had a different feel to
it than past projects. “The few times I went on the
site, the guys from all the trades were polite, they
were helping each other, and they were enthusiastic. The
only arguments we had were among the cabinetmakers over
who was going to do the work.”
Jefferson’s work on the Pentagon took about six
months, with the actual fabrication beginning in July
and continuing right up to the end. The bullet-resistant
entry doors had to be historical reproductions of the
ones already in the Pentagon. Those doors were sub-
contracted to Oakwood Classic & Custom Woodworks Ltd,
while Jefferson did the installation. Near the end of
the project, a chapel and 9/11 memorial were added to
the plan. An additional set of doors had to go between
the chapel and the memorial. That request was made after
the 9/11 deadline and required installation within two
weeks. Because of Jefferson and Oakwood’s workload,
Almond contacted Architectural Wood of Roanoke, VA, and
that company fabricated the last pair of doors, which
were installed within the time frame.
An enhanced laminate security desk that Jefferson
fabricated went through several changes as time was
running out. “First there was an opening on one side,”
Almond says. “Then it changed to a gate. Then they
wanted it to be one piece to provide added protection
for the workers. The whole time, Rocky is asking, ‘When
are we going to start building it? We’ve only got two
weeks left.’”
A group of employees came into work at 6 a.m. and
stayed until 3 a.m. for three straight nights, making
sure the desk would be built on time. They took it to
the Pentagon at five in the morning the following day.
“We told them we would make it happen, and that’s what
we did,” Almond says.
One of the highlights for Jefferson’s employees was
attending the dedication ceremonies on September 11,
2002. In addition to the public ceremony, presided over
by President Bush, there was a separate workers’
appreciation ceremony. Fourteen of Jefferson’s employees
who had participated in the project were able to attend.
The people who worked on the Pentagon project all say
it was a meaningful experience. Burdette, who received a
letter of commendation from Secretary of Defense Donald
Rumsfield for his work on the project, started coming to
the site when the concrete slabs were just being poured.
“The cladding on the exterior of the building and the
roof were not on yet, and you could really see what that
plane had done,” he says. “I was very proud and honored
that they awarded it to our team.”
“In 25 years of woodworking, I can never see
participating in another project that will mean this
much to me,” says Almond. “It was very rewarding, just
participating in what we deemed to be a statement to the
world by the American construction worker. We will make
this happen, we will put it back, and it will be back by
Sept. 11, 2002.”
Jefferson Gets Lean
Jefferson Millwork has divided its project
management into three teams. Previously, there was a
drafting department, and project managers would use
whoever was available. Now, each team is led by a
project manager and consists generally of a project
engineer, a draftsman and a field foreman. Each team can
handle four or five jobs simultaneously. Currently,
Almond’s team is working on the millwork for the Museum
of the American Indian, which is a large, long-term
project. During the down times, the team will be
assigned smaller projects.
The company has been involved in a year-long process
of incorporating lean manufacturing techniques into the
company. Since Brown and Corrigan attended a lean
manufacturing seminar, they have held training sessions,
organized the shop and have restructured the CNC
programming duties.
“We’ve worked on the amount of steps we have to take
from one operation to another,” Brown says. “Why walk to
one operation in 40 steps when you can do it in 30?
We’ve moved equipment and completely redesigned the
shop.” The employees charted the course of items through
the shop, and timed the process. “We know that if we
take this path, it will take us an hour to process one
part. But if we moved one machine or one rack, and if we
have a point-of-storage rack, we might spend only 20
minutes.”
This type of organization has carried over to the
office as well. Every team uses the same forms, and
every job file is basically the same. If Brown needs
information about a given project and the project
manager or engineer is out of the office, he can easily
find the information he needs without having to wait or
search through unfamiliar forms.
Prior to the reorganization, Brown and another
employee did all the CNC programming for all the jobs
from three teams. In order to remove that bottleneck,
the capable draftsmen from each team have now been
assigned that task. While the overall result has been
positive for the company, that idea initially met with
resistance from the teams.
“At first it looked like a lot of work for the
draftsmen,” Brown says. “They not only had to draw the
job, they then had to pull the parts out and program
them for the machine.”
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Jefferson Millwork has worked on
projects for many high-profile clients,
including Merrill Lynch (left), Worldspace, the
Ronald Reagan Building, U.S. Holocaust Museum,
University of Virginia Law Library and Hogan &
Hartson & Venable, LLP. |
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“One of my reservations from the beginning was because
it was a totally different mindset,” Almond says. “I
thought they were pushing the responsibility over to us
when it was really about making the whole manufacturing
process happen more efficiently.”
Because people like Burdette and Almond are so
involved with the projects, they know every detail,
whereas Brown would have to learn every job. “A lot of
time was wasted up front,” he says. “If there was any
kind of an exception to the rule or an error in the
drawing, I would have to go back, talk to them, and they
would have to stop what they were doing.
“Now that they are doing their own programming, it
speeds everything up. It’s a little tougher on them, but
instead of taking me four hours, it may only take them
an extra hour,” he adds. The company has purchased
software from Microvellum which will help automate the
process further. Once installed it will keep a library
of machine-coded parts and products that can be resized
and will provide instant cutlisting, material ordering
and parts optimization.
As a result of Jefferson’s changes, Brown says the
company is producing items faster and at a higher
quality than ever before.
High-Tech, from shop to office
Jefferson Millwork’s operating owners, Corrigan
and Howe, are believers in running a state-of-the-art
company. Many of its employees are computer literate,
and they are encouraged to attend classes to improve
their computer skills.
Brown has developed a software program, J-MOS
(Jefferson Millwork Order System) that links the shop
with the office and management. “We run multiple jobs in
varied types of work through our shop simultaneously,”
Brown says. “This program effectively tracks every
aspect of each project all the managers would ever want
to track.”
J-MOS tracks the status of every job function from
drafting to beam saw cutting and finishing in real time.
Along with tracking the status of current projects, it
provides information to help Jefferson plan ahead for
future production and improve estimating abilities.
Brown says the software, which Jefferson is planning to
market via its Web site,
www.jeffersonmillwork.com, has saved the company
tremendous amounts of labor and overtime cost and has
reduced lead times.
The shop is also kept up-to-date. The newest machine
is a Komo VR1005TT CNC router, which replaced a smaller
machining center. The new machine is more powerful, and
its two large tables help maintain a constant flow of
parts. Other production machinery includes a Holzma
HPP11 beam saw, two Altendorf sliding table saws and a
Homag SE 9800/S2/ CNC edgebander with a Ligmatech
return. Finishing is done on a Venjakob line finishing
machine.
With their part in the Pentagon renovation finished,
Almond and his team are gearing up for their next large
project: the Museum of the American Indian, a new
Smithsonian museum being built on the National Mall.
Jefferson’s work will include everything from plastic
laminate casework and jewelry display cases to veneer
work and wood paneling. Some of the lumber comes from
400-year-old cedar that is being hand-adzed in
Washington state, and other pieces will include an inlay
of wampum shells being created by Wampanoag artisans.
Jefferson’s use of templates will come in handy for
this project. “The physical building design reflects the
nature of the Southwest,” says Almond. “Most of the
building is designed with a variable radius and
serpentine walls. Because of this, virtually all of the
millwork, from the casework, display benches to the wall
wood panels, will have to be fabricated to the required
radius.” Look to see how Jefferson responded to the
challenge when the museum opens in 2004. |